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Number of items at this level: 275.

2014

Devlin, Paul (2014) Class, Heritage, Space and their Configuration in the Belfast Titanic Experience and Stewart Parker’s Iceberg. In: The Theatre of Stewart Parker. (Eds: Phelan, Mark), Carysfort, Dublin, pp. 1-200. ISBN 978-1-909325-47-0 [Book section]

Preston, Sophia (2014) Mark Morris and the American Avant-garde: From Ultra- Modernism to Postmodernism. Dance Chronicle special issue - Music and Dance: Conversations and Codes, 37 (1). pp. 1-47. [Journal article]

2013

Maguire, Tom and Schuitema, Karian, eds. (2013) Theatre for Young Audiences in the UK: A Critical Handbook. London. 220 pp. Trentham Books. ISBN 9781858565019 [Book (edited)]

Akser, Murat (2013) Nation, Genre and Female Performance in Canadian Cinema. CINEJ Cinema Journal, 2 (2). pp. 149-166. [Journal article]

Bloomer, Fiona (2013) Protests, Parades and Marches: activism and extending abortion legislation to Northern Ireland. In: Performing Feminisms in Contemporary Ireland. (Eds: Fitzpatrick, Lisa), Carysfort Press, Dublin, Ireland, pp. 1-276. ISBN 978-190405624 [Book section]

Bridges, Brian (2013) Ripples of Inertia Bells. [Composition]

Campo, Giuliano (2013) Grotowski e lo Spettatore. liminateatri.it12 pp [Internet publication]

Devlin, Paul (2013) "Derry/Londonderry: City of Culture/City of Memories.". In: City of Memories: Performing and Media in the Post Conflict City. An International Colloquium, funded by the British Academy , Queens University of Belfast . Queens University . 15 pp. [Conference contribution]

Graham, Ricky and Bridges, Brian (2013) Mapping and Meaning: Embodied Metaphors and Non–localized Structures in Performance SystemDesign. In: Re-New 2013 Digital Arts Festival and Conference, Copenhagen, Denmark. Re-New Digital Arts Forum . Vol 1 (1 ) 344 pp. [Conference contribution]

Lilley, Anthony and Moore, Paul (2013) Counting What Counts. NESTA. 61 pp. [Research report (external)]

Lyons, Frank (2013) Thud for Bass Clarinet, Accordion and Live Sound Processing. [Composition]

Lyons, Frank and Moore, Paul (2013) The River Still Sings. [Composition]

Maguire, Tom (2013) 'Disintegration, focalisation and the politics of mega-identity in the performances of Marie Jones’s "A Night in November" and Anna Deavere Smith's "Let Me Down Easy"’. In: International Society for the Study of Narrative Annual Conference, , Manchester Metropolitan University. International Society Studies of Narrative. 11 pp. [Conference contribution]

Maguire, Tom (2013) 'Documentary, 'makey-up' storytelling and new modes of writing for the Scottish stage. International Journal of Scottish Theatre and Screen , 6 (1). pp. 16-36. [Journal article]

Maguire, Tom (2013) Documentary, storytelling and new modes of writing for the Scottish stage. In: Haggis Hunting: Fifty Years of New Playwriting in Scotland, University of Edinburgh. None. 19 pp. [Conference contribution]

Maguire, Tom (2013) Training the gaze: reciprocal looking in storytelling performance. In: TaPRA Annual Conference, Royal Conservatoire of Scotland. TAPRA. 11 pp. [Conference contribution]

Maguire, Tom and Upton, Carole-Anne (2013) Myth and Gender in Contemporary Irish Theatre. In: Performing Feminisms in Contemporary Ireland. (Eds: Fitzpatrick, Lisa), Carysfort press, Dublin, pp. 18-32. ISBN 978-904505-1-62-4. [Book section]

Moore, Paul and Lilley, Anthony (2013) Counting What Counts: Data as an asset for cultural policymakers and practitioners. In: Ready for Tomorrow: Culture as an Agent for Social and Economic Transformation, Vilnius, Lithuania. Ministry of Culture of the Republic of Lithuania. 20 pp. [Conference contribution]

Moore, Paul, Lyons, Frank and O'Hanlon, Greg (2013) The River Still Sings. In: Digital Arts and Humanities Conference, University of Ulster, Magee. Digital Humanities ireland. 20 pp. [Conference contribution]

Newark, Cormac (2013) "Faust", Nested Reception and La Castafiore. Cambridge Opera Journal, 25 (2). pp. 165-184. [Journal article]

Newark, Cormac (2013) Not Listening in Paris: Critical and Fictional Lapses of Attention at the Opera. In: Words and Notes in the Long Nineteenth Century. (Eds: Weliver, Phyllis and Ellis, Katharine), Boydell & Brewer, Woodbridge, pp. 35-53. ISBN 9781843838111 [Book section]

Preston, Sophia (2013) Dido and Aeneas. Mark Morris Dance Group, 0 pp [Internet publication]

Preston, Sophia (2013) Mark Morris and Lou Harrison,'Trans-Ethnicism' and 'Elastic Form'. In: Proceedings of European Association of Dance Historians Conference, Paris. European Association of Dance Historians. [Conference contribution]

2012

Bridges, Brian (2012) A Space for Tension. [Composition]

Campo, Giuliano (2012) “Pinocchio by Collodi” performed by Elisabeth Zeindlinger. [Digital or visual media]

Campo, Giuliano (2012) Trabalho de Voz e Corpo de Zygmunt Molik. O Legado de Jerzy Grotowski. Realizacoes Editora. Sao Paulo (Brazil). 302 pp ISBN 978-85-8033-084-7 [Book (authored)]

Devlin, Paul (2012) Data Roaming. Derry-Donegal Borderlands [Performance]

Devlin, Paul (2012) Where Did It All Go Wrong? Performing Class in Belfast., School of Creative Arts, Queen's University of Belfast [Other]

Fitzpatrick, Lisa (2012) Performing Gender, Performing Violence in Post-Ceasefire Northern Ireland. INCORE, University of Ulster, 18 pp [Internet publication]

Fitzpatrick, Lisa (2012) Representing Sexual Violence in the Early Plays of Conor McPherson. In: The Theatre of Conor McPherson: Right Beside the Beyond. Carysfort Press, Dublin, Dublin, pp. 61-76. ISBN 978-1-904505-61-7 [Book section]

Fitzpatrick, Lisa (2012) Representing Systemic Violence: The Example of Laundry by Anu Productions. Warwick Politics and Performance Network Working Papers Vol 1:4, University of Warwick, 15 pp [Internet publication]

Lyons, Frank (2012) Inclusive Creativity: The Impact of Technology. In: Inclusive Creativity: The Impact of Technology, University of Ulster, Magee Campus. n/A. [Conference contribution]

Lyons, Frank (2012) Level Playing Field - Composition and Art Form Development. In: Level Playing Field, City of London Festival, Guildhall Livery Hall, London. N/A. [Conference contribution]

Lyons, Frank (2012) Shake. [Composition]

Maguire, Tom (2012) 'There is no audience: meeting the dramaturgical challenges of the spectator in children’s theatre.'. In: Theatre for Young Audiences in the UK. (Eds: Schuitema, Karian and Maguire, Tom), Institute of Education Press, London, pp. 9-22. ISBN 978-1-85856-501-9 [Book section]

Moore, Paul (2012) Get Creative: Skills, Research infrastructure and Finance. In: Get Creative: Make the Most of the Global Opportunities for the UK's Creative and Digital Sectors. BSAC. 20 pp. [Conference contribution]

Newark, Cormac (2012) Music inside, outside and alongside text: Joseph d’Ortigue’s novel, "La Sainte-Baume" (1834). Revue Belge de Musicologie, 66 . pp. 89-107. [Journal article]

Newark, Cormac and Weber, William (2012) Il canone dell’opera lirica tra repertorio, classici e cavalli di battaglia. Contemporanea, 15 (3). pp. 509-515. [Journal article]

2011

Bridges, Brian (2011) Collapsing Old Buildings (for G.F. Handel). Contemporary Music Centre, Fishamble Street, Dublin [Installation]

Campo, Giuliano (2011) Does Nobody Understand? a performance based on James Joyce's Ulysses. [Digital or visual media]

Devlin, Paul (2011) “Joe Tomelty and the Ulster Group Theatre.”. In: Joe Tomelty Centenary , Linen Hall Library Belfast . Linen Hall. 15 pp. [Conference contribution]

Fitzpatrick, Lisa (2011) Invisible Interculturalism? Performing Ireland on the Canadian Stage. In: Irish Theatrical Diaspora Conference: Canada, Irishness, and Performance, Graduate Centre for Study of Drama, University of Toronto. Irish Theatrical Diaspora . 22 pp. [Conference contribution]

Fitzpatrick, Lisa (2011) The Performance of Violence and the Ethics of Spectatorship. Performance Research, 16 (1). pp. 59-67. [Journal article]

Lyons, Frank (2011) A Fleetwood Mac Affair - Rumours of Fleetwood Mac and the Ulster Orchestra. [Other]

Lyons, Frank (2011) Overtures and New Beginnings. In: ISSTC 2011 'Overtures', University of Limerick, Ireland. N/A. 10 pp. [Conference contribution]

Lyons, Frank and Morgan, Darragh (2011) Improvisation. Jazzatelier, Ulrichsberg, Austria [Performance]

Maguire, Tom (2011) Contaminating the past in the theatre of Martin Lynch. In: Radical Irish Theatre Symposium, Liverpool Hope University, Liverpool. Ateneo de Manila University, Philippines. 11 pp. [Conference contribution]

Maguire, Tom (2011) ‘Here and There in Theatre for Young Audiences in Ireland.’. In: ’ The Mirror Crack’d? New perspectives on the nation/performance relationship in Ireland and Québec, University College Dublin. UCD. 10 pp. [Conference contribution]

Maguire, Tom (2011) 'Women Playwrights of the 1970s and 1980s.’. In: The Edinburgh Companion to Scottish Drama. (Eds: Brown, Ian), Edinburgh University Press, pp. 154-164. ISBN 9780748641079 [Book section]

Maguire, Tom (2011) Performing Evaluation in the Theatre of Claire Dowie. In: Narrative in Drama. Contemporary Drama in English,. (Eds: Toennies, Merle and Flotmann, Christina), WVT Wissenschaftlicher Verlag Trier, pp. 93-106. ISBN 9783868213157 [Book section]

Melvin, Adam (2011) How the Arrow Flies. [Composition]

Melvin, Adam (2011) Sonic motifs, Structure and Identity in Steve McQueen’s Hunger. The Soundtrack, 4 (1). pp. 23-32. [Journal article]

Newark, Cormac (2011) The Critic Sings. Music & Letters, 92 (4). pp. 679-682. [Journal article]

Newark, Cormac (2011) Opera in the Novel from Balzac to Proust. Cambridge University Press. 298 pp ISBN 978-0521118903 [Book (authored)]

Newark, Cormac (2011) Utilité publique and public utility. Journal of the Royal Musical Association, 136 (1). pp. 195-199. [Journal article]

Newark, Cormac (2011) “Gardez votre macaroni; ne lui préférez pas la choucroute”: Les tribulations de l’idée de style national à l’Opéra autour des expositions universelles. In: Voyage et Théâtre. (Eds: Guyon, Loïc and Requemora-Gros, Sylvie), Presses de l’Université Paris-Sorbonne, Paris, pp. 367-373. ISBN 9782840507420 [Book section]

Preston, Sophia (2011) Music as dramaturgy for dance. Proceedings of the Society of Dance History Scholars 34th Annual International Conference Dance dramaturgy: catalyst, perspective and memory York University and University of Toronto, June 23-26, 2011, 34 . pp. 203-210. [Journal article]

Roman, Laurence S (2011) Five Egyptian Canticles (Five Cantos from the Book of the Dead). [Composition]

Roman, Laurence S (2011) Guitar Quintet. [Composition]

Upton, Carole-Anne (2011) ‘I Was There! Agency And The Actor In Documentary Theatre In Northern Ireland. In: Acting With Facts’: Actors Performing The Real In British Theatre And Television Since 1990 Symposium, University of Reading. Intellect. 15 pp. [Conference contribution]

Upton, Carole-Anne (2011) Drama in Ireland North and South. In: Nations on the Move: Scotland, Ireland, Wales and Native North America, 1960-2000, RIISS University of Aberdeen. SUNY Press. [Conference contribution]

2010

Bridges, Brian (2010) Making Ghosts from Empty Landscapes. [Composition]

Brown, Kristian and Viggiani, Elisabetta (2010) Performing Provisionalism: Republican Commemorative Practice as Political Performance in Post Agreement Northern Ireland". In: Performing Violence in Contemporary Ireland. (Eds: Fitzpatrick, Lisa), Carysfort Press, Dublin, pp. 225-248. ISBN 9781904505440 [Book section]

Campo, Giuliano and Molik, Zygmunt (2010) Zygmunt Molik's Voice and Body Work. Routledge London/New York. London. 190 pp ISBN 978-0-415-56847-0 [Book (authored)]

Devlin, Paul (2010) Gary Mitchell. In: The Methuen Drama Guide to Contemporary Irish Playwrights. Methuen, pp. 290-309. ISBN 1408113465 [Book section]

Devlin, Paul (2010) “Restaging Violence: H-Block as Abu Gharib, Castlereagh as Camp X-Ray.”. In: The Performance of Violence in Contemporary Ireland. Carysfort Press, pp. 161-174. ISBN 978-1-904-505-44-0 [Book section]

Fitzpatrick, Lisa (2010) Performing Feminisms in Contemporary Ireland. In: Irish Literatures and Cultures: New and Old Knowledges (International Association for the Study of Irish Literatures), NUI Maynooth. International Association for the Study of Irish Literatures. 10 pp. [Conference contribution]

Fitzpatrick, Lisa (2010) Performing Rape and Sexual Violence on the Contemporary Irish Stage. In: Performance as Event and its Technologies of Representation , Trinity College Dublin. Irish Society for Theatre Research. 12 pp. [Conference contribution]

Fitzpatrick, Lisa (2010) Women Writing Violence: Rape, Murder and Mayhem on the Irish Stage. In: Irish Theatre in Times of Crisis. Synge Summer School. 30 pp. [Conference contribution]

Fitzpatrick, Lisa (2010) "Signifying Rape: Problems of Representing Sexual Violence on Stage". In: Feminism, Literature and Rape Narratives. (Eds: Brigley, Zoe and Gunne, Sorcha), Routledge, pp. 183-199. ISBN 0-415-80608-9 [Book section]

Fitzpatrick, Lisa (2010) "Enda Walsh". In: Methuen Guide to Contemporary Irish Playwrights. (Eds: Middeke, Martin and Schnierer, Peter Paul), Methuen Drama, pp. 439-452. ISBN 1408113465 [Book section]

Lyons, Frank (2010) Composers in (and out of) academia. In: SMI 2010 Conference, University of Ulster, Magee Campus. N/A. 10 pp. [Conference contribution]

Lyons, Frank (2010) Crosstalk for Improvising Electric Guitarist and String Quartet., CMC Dublin [Other]

Lyons, Frank (2010) Stung for Bass Clarinet and Live Electronics., CMC Dublin [Other]

Lyons, Frank and McIntyre, Paul (2010) Finding a Voice - the Quest for Originality in Practice as Research. In: GradCam - Arts Research:Publics and Purposes, Dublin, Ireland. N/A. [Conference contribution]

Maguire, Tom (2010) Characterisation in Storytelling Performance. In: Storytelling in Contemporary Theatre and Playwriting, Krakow, Poland. Cambridge Scholars Press. 11 pp. [Conference contribution]

Maguire, Tom (2010) ‘From necropolis to metropolis: imagining Belfast with Stewart Parker'. In: Stewart Parker symposium. Carysfort Press. 11 pp. [Conference contribution]

Maguire, Tom (2010) The Little Box of Wonders: performance. [Other]

Maguire, Tom (2010) A pragmatics of change: testing political theory in theatrical practice. In: IFTR World Congress: Cultures of Modernity, Munich, Germany. unpublished. 11 pp. [Conference contribution]

Maguire, Tom (2010) Radical Remembering: contaminating memory in the works of Martin Lynch. Kritika Kultura, 15 . pp. 77-92. [Journal article]

Maguire, Tom (2010) Terrorism, Art and the Curious Case of Michael Stone. Performing Ethos: An International Journal of Ethics in Theatre and Performance, 1 (1). pp. 109-110. [Journal article]

Maguire, Tom (2010) There is no audience: the problem of the spectator in children’s theatre. In: Belfast Children’s Festival Making Space Symposium, University of Ulster, Belfast Campus. None. 11 pp. [Conference contribution]

Maguire, Tom (2010) Characterization in Storytelling Performance. In: Worlds in Words: Storytelling in Contemporary Theatre and Playwriting. (Eds: Borowski, Mateusz and Sugiera, Malgorzata), Cambridge Scholars Publishing, pp. 179-191. ISBN 978-1-4438-2109-4 [Book section]

Maguire, Tom (2010) Martin Lynch. In: Methuen Guide to Contemporary Irish Drama. (Eds: Middeke, Martin and Schnierer, Peter Paul), Methuen Drama, pp. 178-193. ISBN 978-1408113462 [Book section]

Moore, Paul (2010) A Digital Participation Plan for Northern Ireland. Ofcom and the Digital Participation Working Group. 16 pp. [Research report (external)]

Moore, Paul (2010) Stap Fightin' - Accents of Violence in the Work of James Young. In: Performing Violence in Contemporary Ireland. (Eds: Fitzpatrick, Lisa), Carysfort Press, Dublin, pp. 119-129. ISBN 978-1-904-505-44-0 [Book section]

Roman, Laurence S (2010) Struwwelpeter. [Composition]

Upton, Carole-Anne (2010) The Art of Authenticity. In: Acting with Facts: Performing the Real on Stage and Screen, 1990-2010, An International Conference, University of Reading. University of Reading. [Conference contribution]

Upton, Carole-Anne (2010) 'Jordan' by Anna Reynolds with Moira Buffini. [Other]

Upton, Carole-Anne (2010) 'Modernism in The Maze : translating Armand Gatti’s Northern Ireland plays for the present day'. In: International Federation of Theatre Research World Congress 2010, "Cultures of Modernity", Ludwig Maximiliens Universitat, Munich. IFTR Translation, Adaptation, and Dramaturgy Working Group. [Conference contribution]

Upton, Carole-Anne (2010) Performing Ethos: An international Journal of Ethics in Theatre and Performance., Intellect [Other]

Upton, Carole-Anne (2010) Remembering the Maze: History and memory in Armand Gatti’s 1982 plays Le Labyrinthe and Le Labyrinthe tel qu’il a été écrit par les habitants de Derry. In: Histoire et Memoire en France et en Irlande/History and memory in France and in Ireland. Association of Franco-Irish Studies (AFIS) Annual Conference/Colloque International, Universite de Reims Champagne-Ardenne. na. [Conference contribution]

Upton, Carole-Anne (2010) Theatre of Witness: Teya Sepinuck in conversation with Carole-Anne Upton. Performing Ethos: An International Journal of Ethics in Theatre and Performance, 1 (1). pp. 97-108. [Journal article]

Upton, Carole-Anne (2010) The translator as metteur en scene with reference to 'Les Aveugles' [The Blind] by Maurice Maeterlinck. In: Staging and Performing Translation: Text and Theatre Practice. (Eds: Baines, Roger, Marinetti, Cristina and Perteghella, Manuela), Palgrave Macmillan, pp. 31-48. ISBN 978-0-230-22819-1 [Book section]

Upton, Carole-Anne (2010) Practice-As-Research in the undergraduate curriculum. In: PaR , University College Cork. na. [Conference contribution]

2009

Fitzpatrick, Lisa, ed. (2009) "Performing Violence in Contemporary Ireland". 1 pp. Carysfort Press. ISBN 978-1-904-505-44-0 [Book (edited)]

Bridges, Brian (2009) 'Conduit'. [Digital or visual media]

Bridges, Brian (2009) 'Spectral Space'. Contemporary Music Centre, Fishamble Street, Dublin 8. [Exhibition]

Campo, Giuliano (2009) Giuliano Campo Italian Political Theatre as a Strategy for Theatre Policy: Dario Fo’s Monologues. Humorfest Proceedings, East Carolina University, Department of English, 20 pp [Internet publication]

Campo, Giuliano (2009) Grotowski Theatre and Beyond, conference/symposium and exhibition. University of Kent-Battersea Arts Centre, London-CPR Aberystwyth. [Exhibition]

Devlin, Paul (2009) Review of Eugene McNulty's The Northern Revival and the Ulster Literary Theatre. NTQ, 25 (04). p. 423. [Journal article]

Fitzpatrick, Lisa (2009) Ethics of Spectatorship and the Performance of Violence on Stage. In: Repertoires of Violence: Multidisciplinary Analyses of the Representation of Peace and Conflict, York St. John University, York, England. York St John University Centre for Peace Studies . 14 pp. [Conference contribution]

Fitzpatrick, Lisa (2009) "The Utopian Performative in Post-Ceasefire Northern Irish Theatre". In: Performing Violence in Contemporary Ireland. (Eds: Fitzpatrick, Lisa), Carysfort Press, pp. 175-188. ISBN 978-1-904505-44-0 [Book section]

Fitzpatrick, Lisa (2009) Land of Air-conditioning and Opportunity: America on the Irish Stage. In: Performance, Exile and 'America'. (Eds: Jestrovic, Silvija and Meerzon, Yana), Palgrave Macmillan, pp. 23-46. ISBN 9780230574564 [Book section]

Lyons, Frank (2009) The Music of Queen - Rocked Up and Classical. [Other]

Lyons, Frank and Fujihata, Masaki (2009) Simultaneous Echoes. Edith Russ Haus, Oldenburg, Germany. [Exhibition]

Lyons, Frank and Magnusson, Magnus (2009) Inclusive Arts Provision in Higher Education – Learning from the ShareMusic Model. In: Proceedings of the Challenge and Change Conference, University of Ulster. University of Ulster, pp. 437-450. ISBN 978-1-85923-233-0 [Book section]

Lyons, Frank and Magnusson, Magnus (2009) Inclusive Arts Provision in Higher Education – Learning from the ShareMusicModel. In: CHALLENGE AND CHANGE IN THE HIGHER EDUCATION LEARNING ENVIRONMENT: PROCESS AND PRACTICE. University of Ulster, pp. 437-450. ISBN 978-1-85923-233-0 [Book section]

Lyons, Frank, Moore, Paul, Bridges, Brian and O'Hanlon, Greg (2009) 'The River Sings'. Void Gallery. [Exhibition]

Maguire, Tom (2009) Speaking Violence in Conor McPherson’s Rum and Vodka and The Good Thief. In: The Performance of Violence in Contemporary Ireland. (Eds: Fitzpatrick, Lisa), Carysfort Press, pp. 105-118. ISBN 978-1-904-505-44-0 [Book section]

Maguire, Tom (2009) ‘Performing Stereotypes at Home and Abroad.’. In: Political Performances: Theory And Practice. New York & Amsterdam: pp. . (Eds: Oz, Avraham and Haedicke, Susan), Rodopi,, pp. 165-176. ISBN 978-9042026063 [Book section]

Melvin, Adam (2009) Revealing the virtual band: Gorillaz and the animation/reanimation for the rock concert. In: Music and the Moving Image, NYU, Steinhardt, New York. MaMI Conference, NYU. 10 pp. [Conference contribution]

Moore, Paul (2009) From the Bogside to Namibia: The place of community broadcasting in post-conflict cultural reconstruction. From the Bogside to Namibia: The place of community broadcasting in post-conflict cultural reconstruction, 6 (1). pp. 45-58. [Journal article]

Moore, Paul, Lyons, Frank, Bridges, Brian and O'Hanlon, Greg (2009) The River Sings. The Void Gallery [Installation]

Newark, Cormac (2009) ‘Giovanni’s House’., BBC [Other]

Newark, Cormac (2009) ‘Madame Bovary and nineteenth-century criticism’. In: ‘Francophone Music Criticism, 1789-1914’ research network international meeting, McGill University, Montréal. n/a. 10 pp. [Conference contribution]

Newark, Cormac (2009) 'Proust and creative listening’. In: Joint Royal Musical Association/Society for Musicology in Ireland conference, Dublin. n/a. 12 pp. [Conference contribution]

Newark, Cormac (2009) ‘The representation of violence in Irish opera: Ian Wilson’s "Hamelin"’. In: Performing Violence in Contemporary Ireland. Carysfort Press, pp. 131-142. ISBN 9781904505440 [Book section]

Newark, Cormac (2009) ‘“Vous qui faites l’endormie”: The Phantom and the buried voices of the Paris Opéra’. 19th-Century Music, 33 (1). pp. 62-78. [Journal article]

Roman, Laurence S (2009) Cautionary Verses. [Composition]

Roman, Laurence S (2009) Ulysses - A Musical Odyssey. [Composition]

Upton, Carole-Anne (2009) ‘The Performance of Truth and Justice in Northern Ireland: the case of Bloody Sunday’. In: Get Real: Documentary Theatre Past and Present. (Eds: Megson, Chris and Forsyth, Alison), Palgrave Macmillan, pp. 179-194. ISBN 9780230221154 [Book section]

2008

Bridges, Brian (2008) 'Flatlining'. [Artefact]

Devlin, Paul (2008) Agreed? In: SOFEIR Annual Congress, Queen's University of Belfast. unspecified . [Conference contribution]

Fitzpatrick, Lisa (2008) Accusing the Audience: Dislocated Voice and Image in Lemaz Productions Ashes to Ashes. In: Interregnum: Annual Conference of Performance Studies International , University of Copenhagen, Denmark. Performance Studies International. 12 pp. [Conference contribution]

Fitzpatrick, Lisa (2008) "Remembering to Forget: Post-Ceasefire Theatre in Northern Ireland". In: Irish Society for Theatre Research Conference, University College Dublin. Irish Society for Theatre Research. 12 pp. [Conference contribution]

Fitzpatrick, Lisa (2008) Bogland Parodies: The Midlands Setting in Marina Carr and Fabulous Beast Dance Theatre. In: Interactions: Dublin Theatre Festival 1957-2007. (Eds: Grene, Nicholas and Lonergan, Patrick), Carysfort Press, pp. 173-188. ISBN 978-1-904505-36-5 [Book section]

Lyons, Frank (2008) Birdland for Piano Trio. [Other]

Lyons, Frank (2008) Gay McIntyre - a Derry Legend. In: Leeds International Jazz Conference 2008, Leeds College of Music, England. N/A. 10 pp. [Conference contribution]

Lyons, Frank (2008) TEASE for Piano and Live Electronics., Contemporary Music Centre, Dublin [Other]

Melvin, Adam (2008) Ripples and Bright Sparks. [Composition]

Moore, Paul (2008) Economist Debate - Regulating Business and Financial Risks: This House believes that by intervening to regulate business and financial risks, governments have made things worse. 14 pp [Internet publication]

Moore, Paul and Scott, Ted (2008) Radio Production: A Guide to Practical Skills. COTA MATS. Windhoek, Namibia. 71 pp ISBN 0-86976-721-4 [Book (authored)]

Newark, Cormac (2008) ‘“In which the intelligent reader will see that he has guessed correctly, in spite of all the author’s precautions’: Opera in Le Château des Carpathes’. In: American Musicological Society annual meeting, Nashville, Tennessee, USA. n/a. 12 pp. [Conference contribution]

Newark, Cormac (2008) A review of the Opera Rara recording of Rossini’s Elisabetta regina d’Inghilterra. Nineteenth-Century Music Review, 5 (1). pp. 150-153. [Journal article]

Newark, Cormac and Brittan, Francesca (2008) ‘Fiction as Criticism’. In: ‘Francophone Music Criticism, 1789-1914’ research network international meeting, University of London in Paris. n/a. 10 pp. [Conference contribution]

Preston, Sophia (2008) Looking backwards in order to be able to move forwards in an analysis of Pina Bausch's "Bluebeard" (1977). Proceedings of the Society of Dance History Scholars 31st annual conference, Looking backwards, moving forwards Skidmore College, USA June 11-15, 2008, 31 . pp. 108-113. [Journal article]

Roman, Laurence (2008) Concertino for Viola and Orchestra. [Composition]

Upton, Carole-Anne (2008) Theatre and Social justice in the Ulster Drama curriculum. In: Arts in the One World , CALArts, Los Angeles. Arts in the One World. [Conference contribution]

2007

Fitzpatrick, Lisa and Beddows, Joel, eds. (2007) Annuaire théâtral : Le théâtre irlandais au carrefour des traditions. 1 pp. Centre de recherche en civilisation canadienne-française. ISBN 0827-0198 [Book (edited)]

Beddows, Joel and Fitzpatrick, Lisa (2007) Le théâtre irlandais à Toronto et à Montréal: du cliché identitaire à l’appropriation artistique. L'Annuaire Théâtral, 40 . pp. 1-17. [Journal article]

Bridges, Brian and Fabricatore, Libby (2007) 'Structure Fatigue' (audiovisual composition). [Digital or visual media]

Devlin, Paul (2007) "Brave Old Pre-Marx Marxists: Thomas Carnduff's 'The First Warrant' and 'Castlereagh'. In: Secrets and Lies - the Irish in Newfound Land, Canadian Association of Irish Studies , Memorial University, Canada . Nt applicable. [Conference contribution]

Devlin, Paul (2007) 'Theatre on Thin Ice: Joe Tomelty's 'April in Assagh and the Ulster Group Theatre.'. In: New Voices in Irish Criticism, St Patrick's College, Dublin. Not applicable. [Conference contribution]

Fitzpatrick, Lisa (2007) Contemporary Mythologies: Uses of Classical Myth and Ancient Irish Epic in Irish Theatre. In: Interactions: The Dublin Theatre Festival 1957-2007, Project Arts Centre, Dublin. Irish Theatrical Diaspora Research Project. 12 pp. [Conference contribution]

Fitzpatrick, Lisa (2007) The Representation of Rape in the work of Sarah Kane, Eve Lewis and Marina Carr". In: Women Writing Rape: Literary and Theoretical Narratives of Sexual Violence. Feminist and Women's Studies Association. 12 pp. [Conference contribution]

Fitzpatrick, Lisa (2007) Staging 'The Merchant of Venice' in Cork: the concretisation of a Shakespearean text for a new society'. Modern Drama, 50 (2). pp. 168-183. [Journal article]

Fitzpatrick, Lisa (2007) The Dramatic Representation of the New Ireland: Muide Eire? In: Echoes Down the Corridor - Irish Theatre Past, Present, and Futures. (Eds: Lonergan, Patrick and O'Dwyer, Riana), Carysfort Press, pp. 169-179. ISBN 9781904505341 [Book section]

Fitzpatrick, Lisa (2007) Taking Their Own Road: the female protagonist in three Irish plays by women. In: Women in Irish Theatre. (Eds: Sihra, Melissa), Palgrave Macmillan, pp. 69-85. ISBN 0300090641 [Book section]

Lyons, Frank (2007) Unbreakable for Orchestra., CMC Dublin [Other]

Lyons, Frank, Curran, K and Smyth, Elaine (2007) A Visual Musical Structural Analysis System for Browsing Music Interactively. In: Lecture Series on Computer and Computational Sciences – International e-Conference. (Eds: Simos , T.E. and Psihoyios, G), Brill Academic Publishers, pp. 54-57. ISBN ISBN: 978-9004-15592-3 [Book section]

Maguire, Tom (2007) Simulating Justice: Calling The State To Account Through Performance. MOFA, 1 (1). [Journal article]

Maguire, Tom (2007) ‘ “You’re Only Putting It On”: Dressing Up, Identity and Subversion in Northern Irish Drama. Postcolonial Text , 3 (3). [Journal article]

Maguire, Tom (2007) Speaking the Peace in Contemporary Northern Irish Drama. In: A Concise Companion To Contemporary British And Irish Drama. (Eds: Holdsworth, Nadine and Luckhurst, Mary), Blackwell, Oxford, pp. 66-84. ISBN 9781405130530 [Book section]

Melvin, Adam (2007) By-Product. [Composition]

Melvin, Adam (2007) Duplex. [Composition]

Melvin, Adam (2007) Moat. [Artefact]

Melvin, Adam (2007) The Screen as Performer: Perspectives on composing with moving image for the concert environment. In: IMR Sound Music and Moving Image Conference, London (2007), Music and Moving Image Conference, NYU Steinhardt, New York (2008), London & New York. n/a. 21 pp. [Conference contribution]

Moore, Paul (2007) 2007 – Cross(referenc)ing The Namib - sound exhibition exhibited by invitation at the National Gallery of Namibia, July 2007. National Gallery of Namibia, Windhoek, Namibia [Installation]

Newark, Cormac (2007) ‘“In Italy we don’t have the means for illusion”: Grand opéra in nineteenth-century Bologna’. Cambridge Opera Journal, 19 (3). pp. 199-222. [Journal article]

Newark, Cormac (2007) ‘Jules Verne and Opera’. In: 5th annual conference of the Society of Musicology in Ireland, Dublin. n.a.. 10 pp. [Conference contribution]

Newark, Cormac (2007) ‘Opera Winds Down’. In: Centre for the History and Analysis of Recorded Music/Royal Musical Association conference, Royal Holloway, University of London. n.a.. 10 pp. [Conference contribution]

Newark, Cormac (2007) ‘Interpreting La Muette’. In: Eugène Scribe und das europäische Musiktheater. (Eds: Werr, Sebastian), LIT Verlag, pp. 46-64. ISBN 978-3-8258-0967-6 [Book section]

Roman, Laurence (2007) Missa Gregoriana. [Composition]

Upton, Carole-Anne (2007) The Blind. [Other]

2006

Fitzpatrick, Lisa (2006) The Concretization of an Historical Text for a New Society: Staging The Merchant of Venice in Cork. In: Global Versus Local: International Federation for Theatre Research World Congress, University of Helsinki. International Federation for Theatre Research. 12 pp. [Conference contribution]

Fitzpatrick, Lisa (2006) Urban Monologues: A Comparison of the Monodrama in Irish and Ontario Theatre. In: Performing the City: Annual Conference of the Canadian Association for Theatre Research, York University, Toronto, Canada. Canadian Association for Theatre Research. 12 pp. [Conference contribution]

Fitzpatrick, Lisa (2006) Language Games: The Pillowman, A Skull in Connemara, and Martin McDonagh's Irish-English. In: A World of Savage Stories: The Theatre of Martin McDonagh. (Eds: Chambers, Lilian and Jordan, Eamonn), Carysfort Press, pp. 141-154. ISBN 1-904505-19-8 [Book section]

Lyons, Frank (2006) butterflies and zebras and moonbeams for solo guitar., CMC Dublin [Other]

Lyons, Frank (2006) ‘Sonic Art – Opportunities for a Level Playing Field for Disabled Composers and Performers’. International Journal of Technology, Knowledge and Society, 2 . pp. 1-9. [Journal article]

Maguire, Tom (2006) Making Theatre in Northern Ireland: Through and Beyond the Troubles. University of Exeter Press. 256 pp ISBN 78-0859897396 [Book (authored)]

Moore, Paul (2006) Remembering the Gaumont. Lancaster Gallery, Coventry. [Exhibition]

Newark, Cormac (2006) ‘“Gardez votre macaroni; ne lui préférez pas la choucroute”: L’idée de style national à l’Opéra autour des expositions universelles’. Centre de Recherche sur la Littérature des Voyages (Université de Paris 4 Sorbonne), 0 pp [Internet publication]

Newark, Cormac (2006) ‘Unmasking Music: The Phantom on Film’. In: 4th annual conference of the Society of Musicology in Ireland, Limerick. n.a.. 10 pp. [Conference contribution]

Roman, Laurence (2006) Carpathian Dances. [Composition]

Roman, Laurence S (2006) Isabella and the Pot of Basil. [Composition]

Upton, Carole-Anne (2006) I remember the band playing: Chekhov and postcolonial translation for the Irish stage. In: Betwixt and Between II: Memory and Cultural Translation, The Queen's University of Belfast. QUB. [Conference contribution]

Upton, Carole-Anne (2006) Performing Justice: The Bloody Sunday Enquiry Play. In: Performance Studies International (Psi): 'Performing Rights', QMUL. na. [Conference contribution]

Upton, Carole-Anne (2006) Staging Ireland: constructing the rural on the contemporary stage. In: IFTR 15th World Congress: 'Global vs. Local', University of Helsinki. IFTR. [Conference contribution]

2005

Devlin, Paul (2005) A Lesson in Ordinary Life': the Intentional Ethics and Ethical Reception of Thomas Carnduff’s Workers. In: IASIL 2005 Ireland - A Global Village?, Charles University Prague. unspecified . [Conference contribution]

Fitzpatrick, Lisa (2005) Disrupting Marina Carr, Anne Devlin, Christina Reid, and the Irish Dramatic Repertory. Irish University Review, 35 (2). pp. 320-333. [Journal article]

Fitzpatrick, Lisa (2005) Margaret O'Leary: A Feminist Reading. In: Munster Women Playwrights, Granary Theatre, Cork. Munster Women Playwrights Project. 15 pp. [Conference contribution]

Fitzpatrick, Lisa (2005) Productions of Irish Plays in Toronto. In: Canadian Association for Irish Studies Annual Conference, NUI Maynooth. Canadian Association for Irish Studies. 10 pp. [Conference contribution]

Fitzpatrick, Lisa (2005) Stage Irishry: Performing Ireland on the Canadian Stage. In: Ireland: A Global Village: International Association for the Study of Irish Literatures Annual Conference, Charles University, Prague. International Association for the Study of Irish Literatures . 12 pp. [Conference contribution]

Lyons, Frank (2005) Ballintrillick. Ormeau Baths Gallery. [Exhibition]

Lyons, Frank (2005) Mnemonics for Solo Guitar., Contemporary Music Centre, Dublin [Other]

Lyons, Frank (2005) Redefining a Genre – The Recent Collaborations between Mark-Anthony Turnage and John Scofield. In: Leeds International Jazz Conference, Leeds, England. N/A. [Conference contribution]

Lyons, Frank (2005) The Solo Guitar Music of Toru Takemitsu. In: Darwin International Guitar Festival, Darwin, Australia. N/A. [Conference contribution]

Maguire, Tom (2005) Abject Bodies: Staged Violence in Contemporary Northern Irish Drama. In: Second Annual NEICN Conference, 'The Word, The Icon and The Ritual, University of Sunderland. University of Sunderland in association with NEICN. 7 pp. [Conference contribution]

Maguire, Tom (2005) Report, Narration and Testimony: What Happens When I Tell My Story? In: Post-Colonial And Intercultural Performance Symposium, Royal Holloway, University of London. Royal Holloway. 7 pp. [Conference contribution]

Maguire, Tom and Upton, Carole-Anne (2005) Myth And Gender in Contemporary Irish Drama. In: Third Annual NEICN Conference, ‘Ireland: Lands of Saints and Scholars’, University of Sunderland. University of Sunderland in association with NEICN. 7 pp. [Conference contribution]

Newark, Cormac (2005) ‘A balletto “di getto”’. In: 3rd annual conference of the Society for Musicology in Ireland, Cork. n.a.. 10 pp. [Conference contribution]

2004

Fitzpatrick, Lisa (2004) Annotated archival study of Irish Women Playwrights, 1900-2000. Canada Research Council, 75 pp [Internet publication]

Fitzpatrick, Lisa (2004) The Dramatic Representation of the New Ireland on the Contemporary Stage. In: A Year of Literary Anniversaries: International Association for the Study of Irish Literatures Annual Conference, NUI Galway. International Association for the Study of Irish Literatures . 12 pp. [Conference contribution]

Lyons, Frank (2004) Rush for Violin and Live Electronics., CMC Dublin [Other]

Lyons, Frank (2004) Sco. [Composition]

Maguire, Tom (2004) Alternative Ulster: Upstaging the State in Contemporary Northern Irish Drama. In: Political Futures: Alternative Theatre in Britain Today, University of Reading. University of Reading. 12 pp. [Conference contribution]

Maguire, Tom and Bryan, Cordelia (2004) Peer Assessment in Group Work. In: Assessing Group Practice. SEDA Paper 117. (Eds: Bryan, Cordelia), Staff and Educational Development Association, pp. 25-35. ISBN 1 902435 26 5 [Book section]

Moore, Paul and Bazelgette, Cary (2004) A Wider Literacy. Northern Ireland Film and Television Commission/British Film Institute. Belfast. 52 pp ISBN NIFTC/BFI2004 [Book (authored)]

Newark, Cormac (2004) ‘Arriving Late for the Ballet’. Cambridge Opera Journal, 16 (2). pp. 239-245. [Journal article]

Newark, Cormac (2004) ‘“Ch’hai di nuovo, buffon?” or What’s New with Rigoletto’. In: The Cambridge Companion to Verdi. Cambridge University Press, pp. 197-208. ISBN 9780521632287 [Book section]

Newark, Cormac (2004) “Culto, famiglia, la patria”., Opera [Other]

Newark, Cormac (2004) ‘Far luce su Lucia: simulacri letterari e operistici’. In: Il teatro di Donizetti. Atti dei convegni delle celebrazioni 1797/1997-1848/1998 II: Percorsi e proposte di ricerca, Venezia 22-24 maggio 1997. Fondazione Donizetti, pp. 245-256. ISBN 8889346078 [Book section]

Newark, Cormac (2004) "Guillaume Tell". In: The Cambridge Companion to Rossini. Cambridge University Press, pp. 175-185. ISBN 9780521807364 [Book section]

Newark, Cormac (2004) ‘Tell the Story: Rossini’s Opera Through the Nineteenth Century’. In: 13th Biennial International Conference on Nineteenth-Century Music, Durham. n.a.. 10 pp. [Conference contribution]

Upton, Carole-Anne and Parsons, Brian (2004) Playing Clov: A clowning approach to performing Beckett. In: Page and Stage: Fifty Years of Performing Beckett, University of Leeds. na. [Conference contribution]

2003

Fitzpatrick, Lisa (2003) Writing the Irish Midlands: Marina Carr's 'Midlands Trilogy' and Patrick Kavanagh's 'Great Hunger'. In: Getting Into Contact: International Association for the Study of Irish Literatures Annual Conference, University of Debrecen, Hungary. International Association for the Study of Irish Literatures . 12 pp. [Conference contribution]

Fitzpatrick, Lisa (2003) Morrigan, the Virgin, and the Banshee: Romantic Personifications of Ireland in early 20th Century Drama. In: Medievalism: The Future of the Past. (Eds: Goering, Joseph and Guardiani, Francesco), Legas Publishing, pp. 7-15. ISBN 0921252986 [Book section]

Lyons, Frank (2003) Dazed by the Haze for Violin and Electronics., CMC Dublin [Other]

Lyons, Frank (2003) Option Anxiety for Electric Guitar, Live Electronics and Video. [Other]

Maguire, Tom (2003) The Show Must Go On!’ Group Formation and Affectivity: some considerations for Group Work from Higher Education performing arts programmes. In: Improving Student Learning: Improving Student Learning:Theory And Practice - 10 Years On. (Eds: Rust, Chris), Oxford Centre for Staff Development, pp. 333-341. ISBN 1 873576 68 2 [Book section]

Moore, Paul (2003) Legacy: Fourth phase public service broadcasting in Northern Ireland. The Radio Journal International Studies in Broadcast and Audio Media, 1 (2). pp. 87-100. [Journal article]

Moore, Paul (2003) Sectarian Sound and Cultural Identity in Northern Ireland. In: Auditory Cultures. (Eds: Bull, Mike and Back, Les), Berg, Oxford, pp. 265-279. ISBN 1 858973 613 0 [Book section]

Newark, Cormac (2003) ‘Dal "Guillaume Tell" al "Rodolfo di Sterlinga" e oltre’. In: Saggiatore Musicale annual conference, Bologna. n.a.. 10 pp. [Conference contribution]

Roman, Laurence (2003) Rocking Horse Madrigals. [Composition]

Roman, Laurence S (2003) Psychocorruptor Infernalis. [Composition]

Roman, Laurence S (2003) The Three Orphans (Harom Arva). [Composition]

Roman, Laurence S (2003) Two Stops Short of Barking. [Composition]

2002

Fitzpatrick, Lisa and Adah, Anthony, eds. (2002) Soyinka and Postcolonialism. 335 pp. Modern Drama. ISBN 0026-7694 [Book (edited)]

Lyons, Frank (2002) Go Betweenfor Guitar and Electronics., CMC Dublin [Other]

Lyons, Frank (2002) Sound in the City. [Other]

Newark, Cormac (2002) ‘A "Dame aux camélias" for Realists’., Fonè [Other]

Roman, Laurence S (2002) A Book of Lost Orchids. [Composition]

Roman, Laurence S (2002) Three Hungarian Peasant Songs. [Composition]

2001

Campo, Giuliano (2001) • Storia del Gruppo Internazionale l’Avventura / The History of the international group L’Avventura (1982-1985). Annale 2001 Teatro e Storia 23, 2001 (23). pp. 210-230. [Journal article]

Fitzpatrick, Lisa (2001) Propaganda for Barbarism: Postcolonial Rewritings of Classical Greek Tragedy. In: Canadian Association for African Studies Annual Conference, University of Laval, Quebec, Canada. Canadian Association for African Studies. 12 pp. [Conference contribution]

Lyons, Frank (2001) Blitzed! for Violin and Electronics., CMC Dublin [Other]

Maguire, Tom (2001) Not Staging Bloody Sunday: Brian Friel’s The Freedom Of The City,. In: Irish Theatre History Conference, NUI Galway. NUI Galway. 7 pp. [Conference contribution]

Newark, Cormac (2001) ‘Ceremony, Celebration, and Spectacle in "La Juive"’. In: Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848. Oxford University Press, pp. 155-187. ISBN 9780198166979 [Book section]

Newark, Cormac (2001) ‘Metaphors for Meyerbeer’. Journal of the Royal Musical Association, 127 (1). pp. 23-43. [Journal article]

Upton, Carole-Anne (2001) Ann Devlin. In: British and Irish Dramatists since World War II. (Eds: Bull, John), Gale, pp. 121-128. ISBN 0-7876-4662-8 [Book section]

Upton, Carole-Anne (2001) Marina Carr. In: British and Irish Dramatists since World War II. (Eds: Bull, John), Gale, pp. 75-80. ISBN 0-7876-4662-8 [Book section]

2000

Upton, Carole-Anne, ed. (2000) Moving Target: Theatre Translation and Cultural Relocation. 220 pp. St Jerome Publishing. ISBN 1-900650-27-4 [Book (edited)]

Fitzpatrick, Lisa (2000) Liminal Space and Oral Narrative in Wole Soyinka's 'The Strong Breed' and W.B. Yeats' 'The Dreaming of the Bones'. In: Canadian Association for Irish Studies, University of Edmonton, Alberta, Canada. Canadian Association for Irish Studies. 12 pp. [Conference contribution]

Fitzpatrick, Lisa (2000) Tragedy and Liminality: from Oral Tradition to Playtext in two Dramas by WB Yeats. [Other]

Lyons, Frank (2000) Chain Reaction for Orchestra., CMC Dublin [Other]

Maguire, Tom (2000) Binlids at The Boundaries of Being: A West Belfast Community stages an authentic self. KUNAPIPI, 22 (2). pp. 106-117. [Journal article]

Maguire, Tom (2000) Kicking With Another Foot: Contesting Memories in Marie Jones’ A Night in November and Dermot Bolger’s In High Germany. Performance Research, 5 (3). pp. 76-81. [Journal article]

Maguire, Tom (2000) Still Cool For Cats? (The Life And Times of Wildcat Stage Productions). International Journal of Scottish Theatre, 1 (1). pp. 3-11. [Journal article]

Maguire, Tom (2000) Vanishing Acts: Staging Spectacles to Create Scotland – John McGrath At The Tramway, Glasgow. In: Australasian Drama Studies Association Conference, , University of Newcastle, NSW. ADSA. 7 pp. [Conference contribution]

Maguire, Tom (2000) Marie Jones. In: Dictionary Of Literary Biography, British And Irish Dramatists Since World War II. (Eds: Bull, John), Bruccoli Clark Layman, , pp. 182-187. ISBN 9781405130530. [Book section]

Moore, Paul (2000) From the Semiotics of Sight to the Semiotics of Sound. From the Semiotics of Sight to the Semiotics of Sound, 1 (3). pp. 148-156. [Journal article]

Newark, Cormac (2000) ‘Essential Opera’., Opera [Other]

Newark, Cormac (2000) ‘How Things Stand on Stage: The Reading and Interpretation of Nineteenth-Century Opera’. In: European Humanities Research Centre ‘The Politics of Opera’ conference, Oxford. n.a.. 10 pp. [Conference contribution]

Preston, Sophia (2000) Echoes and pre-echoes: the displacement of time in Mark Morris's "Dido and Aeneas". Conference Proceedings Dancing in the Millennium: An International Conference (SDHS, CORD, DCA, NDA) Washington July19-23, 2000 , 23 . pp. 344-348. [Journal article]

Roman, Laurence S (2000) Death and Putrefaction. [Composition]

1999

Fitzpatrick, Lisa (1999) Female Subjectivity in the Work of Teresa Deevy and Marina Carr. In: International Association for the Study of Irish Literatures Annual Conference, University of Barcelona, Spain. International Association for the Study of Irish Literatures. 12 pp. [Conference contribution]

Fitzpatrick, Lisa (1999) Molding Myths and Making Nations: Celtic Mythology in the Work of Yeats and Synge. [Other]

Fitzpatrick, Lisa (1999) Romantic Personifications of Ireland in Early 20th Century Drama. In: Medievalism: The Future of the Past, St. Michael's College, University of Toronto, Canada. Department of Italian Studies, St. Michael's College, University of Toronto. 12 pp. [Conference contribution]

Maguire, Tom (1999) Agit-Prop. In: The Encyclopedia Of Contemporary British Culture. (Eds: Childs, Peter and Storry, Michale), Routledge, pp. 17-18. ISBN 978-0415147262 [Book section]

Roman, Laurence S (1999) Cartoon Double-Feature. [Composition]

Upton, Carole-Anne (1999) The Marriage Bed. [Other]

1998

Lyons, Frank (1998) Sixes and Sevens for Solo Guitar., CMC Dublin [Other]

Lyons, Frank (1998) Skullduggery for Piano Trio., CMC Dublin [Other]

Newark, Cormac (1998) ‘Meyerbeer and Science’. In: Royal Musical Association conference, Oxford. n.a.. 10 pp. [Conference contribution]

Preston, Sophia (1998) Iconography and intertextuality: the dsicreet charm of meaning. Proceedings Society of Dance History Scholars 21st Annual conference, University of Oregon, Eugene, Oregon 18-21 June 1998, 21 . pp. 241-252. [Journal article]

Upton, Carole-Anne (1998) Beetles. [Other]

Upton, Carole-Anne (1998) The French-speaking Caribbean: Journeying from the Native Land. In: Theatre Matters. Performance and Culture on the World Stage. (Eds: Boon, Richard and Plastow, Jane), Cambridge University Press, pp. 97-125. ISBN 0 521-063054-1 [Book section]

1997

Lyons, Frank (1997) Kid Gloves for Chamber Ensemble., CMC Dublin [Other]

Maguire, Tom (1997) Upstaging England’s Britain: Whose Canon And Whose Nation? In: Theatre And National Identity. (Eds: Lidstone, Gerald), UNITEXT, pp. 8-19. ISBN 973 98348-6-8 [Book section]

Newark, Cormac (1997) ‘“Mille sentiments confus l’agitent”: Understanding "La Muette de Portici"’. In: American Musicological Society annual meeting, Phoenix AZ. n.a.. 10 pp. [Conference contribution]

Newark, Cormac and Wassenaar, Ingrid (1997) ‘Proust, Wagner and the Anxiety of Competence’. Cambridge Opera Journal, 9 (2). pp. 163-183. [Journal article]

Roman, Laurence S (1997) Three Postcards From Spain. [Composition]

Upton, Carole-Anne (1997) F. Mackintosh: Dying Acts: Death in Ancient Greek and Modern Irish Tragic Drama. In: Griechisch-römische Komödie und Tragödie II. (Drama: Beiträge zum antiken Drama und seiner Rezeption, 5). M & P Verlag, pp. 215-217. ISBN 3-476-45176-3 [Book section]

Upton, Carole-Anne (1997) Un radar captant des signes au code universel: Daniel Boukman and Interculturalism. In: CALIFA Conference on francophone and creolophone Caribbean theatre, University of Ottawa. na. [Conference contribution]

Upton, Carole-Anne (1997) Visions of the Sightless in Brian Friel's 'Molly Sweeney' and J.M. Synge's 'The Well of the Saints'. Modern Drama, XL (3, Fall). pp. 347-358. [Journal article]

Upton, Carole-Anne (1997) Words in Space: Filling the empty space in francophone theatre. In: Black Accents - Writing in French from Africa, Mauritius and the Caribbean Theatre. (Eds: Little, J.P. and Little, Roger), Grant and Cutler, pp. 235-251. ISBN 0 7293 0390 X [Book section]

Upton, Carole-Anne and Meech, Tony (1997) Botho Strauss on the English Stage. Studies in Theatre Production, 16 . pp. 35-46. [Journal article]

1996

Lyons, Frank (1996) Move It! for Orchestra., CMC Dublin [Other]

Roman, Laurence S (1996) Sonata for Violin and Piano. [Composition]

Upton, Carole-Anne (1996) Ananse's Wealth: Response and Responsibility in Modern African Theatre. In: Popular Theatres? Papers from the Popular Theatre Conference 1994. Liverpool John Moores University, pp. 140-160. ISBN 0 9527978 0 1 [Book section]

Upton, Carole-Anne and Meech, Tony (1996) Time and the Room. [Other]

1995

Maguire, Tom (1995) When The Cutting Edge Cuts Both Ways: Contemporary Scottish Drama. Modern Drama, 38 (1). pp. 87-96. [Journal article]

Maguire, Tom (1995) The Possibilities For A Popular Political Theatre. In: Popular Theatres? (Eds: Merkin, Ros), Liverpool John Moores, pp. 51-60. ISBN 0952797801 [Book section]

1992

Maguire, Tom (1992) Under New Management: The Changing Direction of 7:84 (Scotland). Theatre Research International, 17 (2). pp. 132-7. [Journal article]

This list was generated on Wed Apr 23 02:32:49 2014 BST.