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Group by: Date | Item Type | No Grouping
Jump to: 2013 | 2012 | 2011 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001 | 2000 | 1998 | 1997
Number of items: 38.

2013

Newark, Cormac (2013) "Faust", Nested Reception and La Castafiore. Cambridge Opera Journal, 25 (2). pp. 165-184. [Journal article]

Newark, Cormac (2013) Not Listening in Paris: Critical and Fictional Lapses of Attention at the Opera. In: Words and Notes in the Long Nineteenth Century. (Eds: Weliver, Phyllis and Ellis, Katharine), Boydell & Brewer, Woodbridge, pp. 35-53. ISBN 9781843838111 [Book section]

2012

Newark, Cormac (2012) Music inside, outside and alongside text: Joseph d’Ortigue’s novel, "La Sainte-Baume" (1834). Revue Belge de Musicologie, 66 . pp. 89-107. [Journal article]

Newark, Cormac and Weber, William (2012) Il canone dell’opera lirica tra repertorio, classici e cavalli di battaglia. Contemporanea, 15 (3). pp. 509-515. [Journal article]

2011

Newark, Cormac (2011) The Critic Sings. Music & Letters, 92 (4). pp. 679-682. [Journal article]

Newark, Cormac (2011) Opera in the Novel from Balzac to Proust. Cambridge University Press. 298 pp ISBN 978-0521118903 [Book (authored)]

Newark, Cormac (2011) Utilité publique and public utility. Journal of the Royal Musical Association, 136 (1). pp. 195-199. [Journal article]

Newark, Cormac (2011) “Gardez votre macaroni; ne lui préférez pas la choucroute”: Les tribulations de l’idée de style national à l’Opéra autour des expositions universelles. In: Voyage et Théâtre. (Eds: Guyon, Loïc and Requemora-Gros, Sylvie), Presses de l’Université Paris-Sorbonne, Paris, pp. 367-373. ISBN 9782840507420 [Book section]

2009

Newark, Cormac (2009) ‘Giovanni’s House’., BBC [Other]

Newark, Cormac (2009) ‘Madame Bovary and nineteenth-century criticism’. In: ‘Francophone Music Criticism, 1789-1914’ research network international meeting, McGill University, Montréal. n/a. 10 pp. [Conference contribution]

Newark, Cormac (2009) 'Proust and creative listening’. In: Joint Royal Musical Association/Society for Musicology in Ireland conference, Dublin. n/a. 12 pp. [Conference contribution]

Newark, Cormac (2009) ‘The representation of violence in Irish opera: Ian Wilson’s "Hamelin"’. In: Performing Violence in Contemporary Ireland. Carysfort Press, pp. 131-142. ISBN 9781904505440 [Book section]

Newark, Cormac (2009) ‘“Vous qui faites l’endormie”: The Phantom and the buried voices of the Paris Opéra’. 19th-Century Music, 33 (1). pp. 62-78. [Journal article]

2008

Newark, Cormac (2008) ‘“In which the intelligent reader will see that he has guessed correctly, in spite of all the author’s precautions’: Opera in Le Château des Carpathes’. In: American Musicological Society annual meeting, Nashville, Tennessee, USA. n/a. 12 pp. [Conference contribution]

Newark, Cormac (2008) A review of the Opera Rara recording of Rossini’s Elisabetta regina d’Inghilterra. Nineteenth-Century Music Review, 5 (1). pp. 150-153. [Journal article]

Newark, Cormac and Brittan, Francesca (2008) ‘Fiction as Criticism’. In: ‘Francophone Music Criticism, 1789-1914’ research network international meeting, University of London in Paris. n/a. 10 pp. [Conference contribution]

2007

Newark, Cormac (2007) ‘“In Italy we don’t have the means for illusion”: Grand opéra in nineteenth-century Bologna’. Cambridge Opera Journal, 19 (3). pp. 199-222. [Journal article]

Newark, Cormac (2007) ‘Jules Verne and Opera’. In: 5th annual conference of the Society of Musicology in Ireland, Dublin. n.a.. 10 pp. [Conference contribution]

Newark, Cormac (2007) ‘Opera Winds Down’. In: Centre for the History and Analysis of Recorded Music/Royal Musical Association conference, Royal Holloway, University of London. n.a.. 10 pp. [Conference contribution]

Newark, Cormac (2007) ‘Interpreting La Muette’. In: Eugène Scribe und das europäische Musiktheater. (Eds: Werr, Sebastian), LIT Verlag, pp. 46-64. ISBN 978-3-8258-0967-6 [Book section]

2006

Newark, Cormac (2006) ‘“Gardez votre macaroni; ne lui préférez pas la choucroute”: L’idée de style national à l’Opéra autour des expositions universelles’. Centre de Recherche sur la Littérature des Voyages (Université de Paris 4 Sorbonne), 0 pp [Internet publication]

Newark, Cormac (2006) ‘Unmasking Music: The Phantom on Film’. In: 4th annual conference of the Society of Musicology in Ireland, Limerick. n.a.. 10 pp. [Conference contribution]

2005

Newark, Cormac (2005) ‘A balletto “di getto”’. In: 3rd annual conference of the Society for Musicology in Ireland, Cork. n.a.. 10 pp. [Conference contribution]

2004

Newark, Cormac (2004) ‘Arriving Late for the Ballet’. Cambridge Opera Journal, 16 (2). pp. 239-245. [Journal article]

Newark, Cormac (2004) ‘“Ch’hai di nuovo, buffon?” or What’s New with Rigoletto’. In: The Cambridge Companion to Verdi. Cambridge University Press, pp. 197-208. ISBN 9780521632287 [Book section]

Newark, Cormac (2004) “Culto, famiglia, la patria”., Opera [Other]

Newark, Cormac (2004) ‘Far luce su Lucia: simulacri letterari e operistici’. In: Il teatro di Donizetti. Atti dei convegni delle celebrazioni 1797/1997-1848/1998 II: Percorsi e proposte di ricerca, Venezia 22-24 maggio 1997. Fondazione Donizetti, pp. 245-256. ISBN 8889346078 [Book section]

Newark, Cormac (2004) "Guillaume Tell". In: The Cambridge Companion to Rossini. Cambridge University Press, pp. 175-185. ISBN 9780521807364 [Book section]

Newark, Cormac (2004) ‘Tell the Story: Rossini’s Opera Through the Nineteenth Century’. In: 13th Biennial International Conference on Nineteenth-Century Music, Durham. n.a.. 10 pp. [Conference contribution]

2003

Newark, Cormac (2003) ‘Dal "Guillaume Tell" al "Rodolfo di Sterlinga" e oltre’. In: Saggiatore Musicale annual conference, Bologna. n.a.. 10 pp. [Conference contribution]

2002

Newark, Cormac (2002) ‘A "Dame aux camélias" for Realists’., Fonè [Other]

2001

Newark, Cormac (2001) ‘Ceremony, Celebration, and Spectacle in "La Juive"’. In: Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848. Oxford University Press, pp. 155-187. ISBN 9780198166979 [Book section]

Newark, Cormac (2001) ‘Metaphors for Meyerbeer’. Journal of the Royal Musical Association, 127 (1). pp. 23-43. [Journal article]

2000

Newark, Cormac (2000) ‘Essential Opera’., Opera [Other]

Newark, Cormac (2000) ‘How Things Stand on Stage: The Reading and Interpretation of Nineteenth-Century Opera’. In: European Humanities Research Centre ‘The Politics of Opera’ conference, Oxford. n.a.. 10 pp. [Conference contribution]

1998

Newark, Cormac (1998) ‘Meyerbeer and Science’. In: Royal Musical Association conference, Oxford. n.a.. 10 pp. [Conference contribution]

1997

Newark, Cormac (1997) ‘“Mille sentiments confus l’agitent”: Understanding "La Muette de Portici"’. In: American Musicological Society annual meeting, Phoenix AZ. n.a.. 10 pp. [Conference contribution]

Newark, Cormac and Wassenaar, Ingrid (1997) ‘Proust, Wagner and the Anxiety of Competence’. Cambridge Opera Journal, 9 (2). pp. 163-183. [Journal article]

This list was generated on Mon Sep 1 07:44:35 2014 BST.