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Jump to: 2011 | 2010 | 2009 | 2008 | 2007 | 2006 | 2005 | 2004 | 2001 | 2000 | 1999 | 1998 | 1997 | 1996
Number of items: 31.

2011

Upton, Carole-Anne (2011) ‘I Was There! Agency And The Actor In Documentary Theatre In Northern Ireland. In: Acting With Facts’: Actors Performing The Real In British Theatre And Television Since 1990 Symposium, University of Reading. Intellect. 15 pp. [Conference contribution]

Upton, Carole-Anne (2011) Drama in Ireland North and South. In: Nations on the Move: Scotland, Ireland, Wales and Native North America, 1960-2000, RIISS University of Aberdeen. SUNY Press. [Conference contribution]

2010

Upton, Carole-Anne (2010) The Art of Authenticity. In: Acting with Facts: Performing the Real on Stage and Screen, 1990-2010, An International Conference, University of Reading. University of Reading. [Conference contribution]

Upton, Carole-Anne (2010) 'Jordan' by Anna Reynolds with Moira Buffini. [Other]

Upton, Carole-Anne (2010) 'Modernism in The Maze : translating Armand Gatti’s Northern Ireland plays for the present day'. In: International Federation of Theatre Research World Congress 2010, "Cultures of Modernity", Ludwig Maximiliens Universitat, Munich. IFTR Translation, Adaptation, and Dramaturgy Working Group. [Conference contribution]

Upton, Carole-Anne (2010) Performing Ethos: An international Journal of Ethics in Theatre and Performance., Intellect [Other]

Upton, Carole-Anne (2010) Remembering the Maze: History and memory in Armand Gatti’s 1982 plays Le Labyrinthe and Le Labyrinthe tel qu’il a été écrit par les habitants de Derry. In: Histoire et Memoire en France et en Irlande/History and memory in France and in Ireland. Association of Franco-Irish Studies (AFIS) Annual Conference/Colloque International, Universite de Reims Champagne-Ardenne. na. [Conference contribution]

Upton, Carole-Anne (2010) Theatre of Witness: Teya Sepinuck in conversation with Carole-Anne Upton. Performing Ethos: An International Journal of Ethics in Theatre and Performance, 1 (1). pp. 97-108. [Journal article]

Upton, Carole-Anne (2010) The translator as metteur en scene with reference to 'Les Aveugles' [The Blind] by Maurice Maeterlinck. In: Staging and Performing Translation: Text and Theatre Practice. (Eds: Baines, Roger, Marinetti, Cristina and Perteghella, Manuela), Palgrave Macmillan, pp. 31-48. ISBN 978-0-230-22819-1 [Book section]

Upton, Carole-Anne (2010) Practice-As-Research in the undergraduate curriculum. In: PaR , University College Cork. na. [Conference contribution]

2009

Upton, Carole-Anne (2009) ‘The Performance of Truth and Justice in Northern Ireland: the case of Bloody Sunday’. In: Get Real: Documentary Theatre Past and Present. (Eds: Megson, Chris and Forsyth, Alison), Palgrave Macmillan, pp. 179-194. ISBN 9780230221154 [Book section]

2008

Upton, Carole-Anne (2008) Theatre and Social justice in the Ulster Drama curriculum. In: Arts in the One World , CALArts, Los Angeles. Arts in the One World. [Conference contribution]

2007

Upton, Carole-Anne (2007) The Blind. [Other]

2006

Upton, Carole-Anne (2006) I remember the band playing: Chekhov and postcolonial translation for the Irish stage. In: Betwixt and Between II: Memory and Cultural Translation, The Queen's University of Belfast. QUB. [Conference contribution]

Upton, Carole-Anne (2006) Performing Justice: The Bloody Sunday Enquiry Play. In: Performance Studies International (Psi): 'Performing Rights', QMUL. na. [Conference contribution]

Upton, Carole-Anne (2006) Staging Ireland: constructing the rural on the contemporary stage. In: IFTR 15th World Congress: 'Global vs. Local', University of Helsinki. IFTR. [Conference contribution]

2005

Maguire, Tom and Upton, Carole-Anne (2005) Myth And Gender in Contemporary Irish Drama. In: Third Annual NEICN Conference, ‘Ireland: Lands of Saints and Scholars’, University of Sunderland. University of Sunderland in association with NEICN. 7 pp. [Conference contribution]

2004

Upton, Carole-Anne and Parsons, Brian (2004) Playing Clov: A clowning approach to performing Beckett. In: Page and Stage: Fifty Years of Performing Beckett, University of Leeds. na. [Conference contribution]

2001

Upton, Carole-Anne (2001) Ann Devlin. In: British and Irish Dramatists since World War II. (Eds: Bull, John), Gale, pp. 121-128. ISBN 0-7876-4662-8 [Book section]

Upton, Carole-Anne (2001) Marina Carr. In: British and Irish Dramatists since World War II. (Eds: Bull, John), Gale, pp. 75-80. ISBN 0-7876-4662-8 [Book section]

2000

Upton, Carole-Anne, ed. (2000) Moving Target: Theatre Translation and Cultural Relocation. 220 pp. St Jerome Publishing. ISBN 1-900650-27-4 [Book (edited)]

1999

Upton, Carole-Anne (1999) The Marriage Bed. [Other]

1998

Upton, Carole-Anne (1998) Beetles. [Other]

Upton, Carole-Anne (1998) The French-speaking Caribbean: Journeying from the Native Land. In: Theatre Matters. Performance and Culture on the World Stage. (Eds: Boon, Richard and Plastow, Jane), Cambridge University Press, pp. 97-125. ISBN 0 521-063054-1 [Book section]

1997

Upton, Carole-Anne (1997) F. Mackintosh: Dying Acts: Death in Ancient Greek and Modern Irish Tragic Drama. In: Griechisch-römische Komödie und Tragödie II. (Drama: Beiträge zum antiken Drama und seiner Rezeption, 5). M & P Verlag, pp. 215-217. ISBN 3-476-45176-3 [Book section]

Upton, Carole-Anne (1997) Un radar captant des signes au code universel: Daniel Boukman and Interculturalism. In: CALIFA Conference on francophone and creolophone Caribbean theatre, University of Ottawa. na. [Conference contribution]

Upton, Carole-Anne (1997) Visions of the Sightless in Brian Friel's 'Molly Sweeney' and J.M. Synge's 'The Well of the Saints'. Modern Drama, XL (3, Fall). pp. 347-358. [Journal article]

Upton, Carole-Anne (1997) Words in Space: Filling the empty space in francophone theatre. In: Black Accents - Writing in French from Africa, Mauritius and the Caribbean Theatre. (Eds: Little, J.P. and Little, Roger), Grant and Cutler, pp. 235-251. ISBN 0 7293 0390 X [Book section]

Upton, Carole-Anne and Meech, Tony (1997) Botho Strauss on the English Stage. Studies in Theatre Production, 16 . pp. 35-46. [Journal article]

1996

Upton, Carole-Anne (1996) Ananse's Wealth: Response and Responsibility in Modern African Theatre. In: Popular Theatres? Papers from the Popular Theatre Conference 1994. Liverpool John Moores University, pp. 140-160. ISBN 0 9527978 0 1 [Book section]

Upton, Carole-Anne and Meech, Tony (1996) Time and the Room. [Other]

This list was generated on Mon Apr 21 06:26:02 2014 BST.