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Ó Dochartaigh, Pól (2013) Shades of Gray: The Beginnings of the Postwar Moral Compromise in Joseph Kanon's "The Good German". In: Representing the Good German in Literature and Culture after 1945: Altruism and Moral Ambiguity. (Eds: Ó Dochartaigh, Pól and Schönfeld , Christiane), Camden House, Rochester, NY, pp. 231-249. ISBN 9781571134981 [Book section]
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URL: http://www.camden-house.com/store/viewItem.asp?idProduct=14176
Abstract
The article investigates the moral ambiguity that surrounds both German and American characters in Joseph Kanon's novel "The Good German", which is set in Occupied Berlin in the immediate aftermath of World War 2 and the Holocaust.
| Item Type: | Book section |
|---|---|
| Faculties and Schools: | Faculty of Arts Faculty of Arts > School of Modern Languages |
| Research Institutes and Groups: | Arts and Humanities Research Institute > European Languages and Studies |
| ID Code: | 24131 |
| Deposited By: | Professor Pol O'Dochartaigh |
| Deposited On: | 28 Nov 2012 12:35 |
| Last Modified: | 04 Dec 2012 16:10 |
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- Shades of Gray: The Beginnings of the Postwar Moral Compromise in Joseph Kanon's "The Good German". (deposited 28 Nov 2012 12:35) [Currently Displayed]
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