DAN SHIPSIDES - Touchstone Munter Hitch images
Echo Valley / A Guiding Dilemma - The Munter Hitch exhibition at GtGallery.
“I have no sight at all - so I didn't have any fear climbing – it probably helps not to have any idea of what 20metres looks like from above. As long as it feels safe I enjoy the climbing and I don't have any fear - it doesn't come into my mind. The only time I'm scared of heights is in my dreams.”
Touchtone test piece is an exploratory art project based around climbing with a blind person.
Artworks; Echo Valley and A Guiding Dilemma made through this activity are exhibited at the Void Gallery, Derry from May20 th May to 20 th June.
Over the last fifteen years Dan Shipsides has developed an art practice which uses climbing to think creatively about the spaces around us - in particular landscape spaces and ideas about what landscape is or could be.
The project belongs to an area of art practice that operates as a kind of research – in an inquisitive, inquiring sense. As art it's free to ask questions or develop creative ways of exploring ideas which aren't rooted in specific fields of thinking.
This particular project was based at the University of Ulster Art & Design Research Institute and funded by the AHRC (Arts and Humanities Research Council) under its Landscape and Environment programme which seeks to explore pertinent ideas around landscape and environment.
For this project over the last few years Dan has been taking John, a blind man from Derry , climbing regularly. Within this activity they've been thinking how to capture or describe something of this landscape experience. One way they developed this was to attach a range of tiny micro cameras to John's fingers, backpack and feet so that they could record “finger tip” footage of his climbing.
The approach is based on the idea that, whilst sight is crucial to making it easier, climbing isn't primarily about sight. It's as much about movement and physicality.
It's also about our ideas of landscape. Landscape as a cultural idea is very visually based. Images of landscape are rooted in painting and are usually ordered around narrow sets of framing principals, view points or perspectives relating to ideologies such as nature, beauty, ownership, control or identity. Whilst these are important issue this project aims to deal differently with landscape by trying to negotiate a landscape which is less sight based.
Links to each text work: