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“Valentinas, Coronelas, Soldaderas: Explosive Women in Mexican Film”

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Thornton, Niamh (2011) “Valentinas, Coronelas, Soldaderas: Explosive Women in Mexican Film”. The Colorado Review of Hispanic Studies, 8 (Spring). [Journal article]

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URL: http://spanish.colorado.edu/General/volume-8.html

DOI: xxx

Abstract

Despite their profusion, films of the Mexican Revolution (1910-1920) have largely been ignored by scholars. This relative neglect is because many are seen to be jingoistic in their representation of a PRI sanctioned nationalism. The few Revolutionary films that have been redeemed are those early films that are often read as going against the grain or others which were made by a generation of, largely university educated, independent filmmakers in the 1960s and 70s who took the Revolution and its stories as a way of challenging nationalist discourse. The films that I am considering here are those who have been long reviled or overlooked by scholars as they are either deemed too populist or too tainted by association with the political ruling classes to be worthy of consideration. Yet, many of these films are worthy of a second look because of their sometimes nuanced and often playful approach to gender identities.

Item Type:Journal article
Keywords:Mexican Revolution, gender performance, musicals, Pancho Villa, Valentina, Soldaderas, Coronelas
Faculties and Schools:Faculty of Arts
Faculty of Arts > School of Media, Film & Journalism
Research Institutes and Groups:Centre for Media Research
ID Code:18460
Deposited By:Dr Niamh Thornton
Deposited On:11 May 2011 13:20
Last Modified:11 May 2011 13:20

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