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Market Stall Performance, Shenzhen, (as part of Shenzhen Action: British-Chinese Action Art Encounters)

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Connolly, Robert Brian (2010) Market Stall Performance, Shenzhen, (as part of Shenzhen Action: British-Chinese Action Art Encounters). Ya Ku Library Art Space, Shenzhen [Performance]

[img]Image (JPEG) (Market Stall Performance, Shenzhen, Star Map Umbrella. Photograph by Stein Henningsten ) - Published Version
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[img]Image (JPEG) (Market Stall Performance, Shenzhen, audience interaction with artwork items. Photograph by Stein Henningsten)
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[img]Image (JPEG) (Market Stall Performance, Shenzhen, audience interaction with artwork items. Photograph by Stein Henningsten)
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[img]Image (JPEG) (Market Stall Perfromance, Shenzhen, Nato Darts Game, Photograph by Stein Henninstein)
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[img]Image (JPEG) (Market Stall Performance, Shenzhen, audience interaction with artwork, selling Centimeters,. Photograph by Stein Henningsten)
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[img]Image (JPEG) (Market Stall Performance, Shenzhen, audience interaction with artwork, Virtual Reality Googles,. Photograph by Stein Henningsten)
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Abstract

Market Stall Performance, Shenzhen Live was a site-specific development of a performance art strategy where I set up a Market Stall in a pedestrian alleyway outside the Ya Ku Library Art Space. The artwork was an ‘Interactive Performance’ as the artist tries to sell his wares in the very public arena. The artist’s endevoured to engage the public through humor and surreal imagery and processes, in order to hold their attention and engender thought on global politics and contemporary society in seemingly harmless ways. The strategy for the Performance has evolved from the central observation that members of the public engage/collaborate with art and the artist without knowing that they are taking part in an artwork, although through their engagement they become aware of the art, or being involved in art. My intention therefore was to create direct engagement with ideas under the guise of selling. The fact that the Market Stall was aligned to other traders is a key factor within the composition and conceptual strategy for the artwork. I find that a public audience engages with the artwork more directly if they are not initially aware of it within the category of art. It is therefore partially camouflaged and the public, while in ‘consumer mode’, encounter ideas or are forced to ask questions about the nature of my art/processes/wares. In this way I find that dialogue and communication is brought to the forefront of the encounter through humor and the often, surreal nature of the activities and art objects encountered.Prior to this event I was invited to do an Artists Talk during which I created a Performance Lecture at the Shenzhen Middle School and also took part in a post performance public discussion outside of the Ya Ku Library Art Space, both organized by the British Council and hosted by Jonas Stampe. (See Programme below)Programme – Courtesy of the British Council

Part One: “Shenzhen Action: British-Chinese Action Art Encounters” Artists Talk

Time: 16:30 – 18:30, 3 December 2010 
Venue: Auditorium, Shenzhen Middle School 
Speakers: Brian Connolly, John Court 
Host: Jonas Stampe 
* Note: This is an exclusive event for teachers and students from Shenzhen Middle School. 

Part Two:“Shenzhen Action: British-Chinese Action Art Encounters” Live Performance and Public Discussion 

Time: 14:00 – 18:00, 4 December, 2010
Venue: Outdoors of Ya Ku Library Art Space, Shenzhen Overseas Chinese Town
Artists: Brian Connolly, John Court, Yingmei Duan, Ge Ya
Host for public discussion: Jonas Stampe


Item Type:Performance
Keywords:Market Stall Performance, Performance Art in China, Shenzhen Performance Art, Jonas Stampe, Brian Connolly, Brian Connolly Artist, Brian Connolly Performance Artist, Public Performance Art, Interactive Performance Art, Interactive Performance Art in Public, British Council Funded Performance Art, Art Trading Strategies, Surreal Humor in Art, Humor in Performance Art, Site-specific Performance Art, Artist as Negotiator, Relational Practices, Relational Art Practice, Relational Performance Art, Performance Art in Context, Interactive Art in China, Performance Art Curated by Jonas Stampe, John Court, Yingmei Duan, Ge Ya, Action Art, Action Art in China,
Faculties and Schools:Faculty of Art, Design and the Built Environment
Faculty of Art, Design and the Built Environment > Belfast School of Art
Research Institutes and Groups:Art and Design Research Institute
Art and Design Research Institute > Space and Place
Date:04 December 2010
Location:Ya Ku Library Art Space, Shenzhen
ID Code:18316
Deposited By:Mr Robert Connolly
Deposited On:10 May 2011 15:32
Last Modified:19 Apr 2013 14:57

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