Maguire, Tom (2011) Contaminating the past in the theatre of Martin Lynch. In: Radical Irish Theatre Symposium, Liverpool Hope University, Liverpool. Ateneo de Manila University, Philippines. 11 pp. [Conference contribution]
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Locating Lynch in the tradition of John McGrath’s popular theatre allows his work to be seen as both recovering working class experience and, crucially, probing mythologies that have justified and perpetuated political violence. The paper is focused particularly on two of Lynch’s most recent works: Holding Hands at Paschendale (2006) and The Long Kesh Chronicles (2009).
|Item Type:||Conference contribution (Paper)|
|Faculties and Schools:||Faculty of Arts|
Faculty of Arts > School of Creative Arts
|Research Institutes and Groups:||Arts and Humanities Research Institute|
Arts and Humanities Research Institute > Creative Arts and Technologies
|Deposited By:||Dr Thomas Maguire|
|Deposited On:||16 Feb 2010 00:10|
|Last Modified:||03 Sep 2013 09:54|
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